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Music Review Bowie at the Beeb

David Bowie

‘Beeb’ is a British affectation for the BBC, the state-run media which plans (or planned) all television and radio for Great Britain. Bowie was around when the BBC was implementing its 4-station radio broadcasting, and he became one of the first guests in early 1968. BBC rules were strange and archaic by American standards, insisting that pre-recorded music represent only a fraction of airtime, the point being that this would provide employment for professional musicians. So it was that David Bowie appeared with a crew of musicians to perform his songs live a number of times over a four-year period.

I’m a very big fan of Bowie’s early work (reference my review of Images 1966-1967 if you’re interested), but the earliest sessions on this collection are the least fulfilling. Disk one holds interest to Bowie-philes for historic reasons, but it is disk two that presents the artist in full flight. Working with Mick Ronson, his Ziggy Stardust-era songs shine brilliantly here, in some cases rivaling the album versions. "Hang On to Yourself", "Suffragette City," and "Ziggy Stardust" all rock with authority and grace. "Queen Bitch" has more energy than the version on Hunky Dory, while the songwriting brilliance of songs like "Changes" and "Oh You Pretty Things" come through loud and clear. Most telling are the two Velvet Underground songs performed here. Both "White Light/White Heat" and "Waiting For My Man" are definitive, surpassing all Bowie versions that were previously available and perhaps even surpassing Lou Reed’s original versions.

For those of you who are lucky enough to find it, a limited edition of this package comes with an extra disk of Bowie performing live at the BBC radio theatre in June of 2000. Search it out! The extra disk is extraordinary, featuring some of the best live Bowie ever recorded. The band is phenomenal, playing each song to perfection without sacrificing any energy. This version of "Stay" blew me away, forcing me to recognize the sheer funky power of this band. Just as mind-boggling are the versions of "Fame" (a new, ‘improved’ version!), "Absolute Beginners" and "Man Who Sold the World". Every track on this extra disk is exceptional, making it an absolute must for even casual fans of David Bowie.
Grade: Grade A-


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